Table of Contents
Editorial
| Framing the Mesoregion: Southeast European Cultural Space | |
| Tatjana Markovi? |
Articles
| Wien und die kunsthistorische Erschliessung Sosteuropas, 18502000 | |
| Maximilian Hartmuth |
| The Visual Cultures of Southeastern Europe: Elements of Decentred Theory Construction | |
| Karl Kaser |
| The Music Repertoire of the Franciscan Provincia Bosnae Argentinae and the Provincia Sancti Joannis a Capistrano, in Slavonia in the Eighteenth and Nineteenth Centuries | PFD |
| The Past Revisited: The Baroque Allegorical Theatre of the Serbian Orthodox Archbishops of Sremski Karlovci in the Eighteenthth Century | |
| Jelena Todorovi? |
| The High Province on the Western Border of Hungary: Ideological Aspects of the Operatiions of the Municipal Theatre in Pressburg in the Late Nineteenth Century | |
| World War Is Boards That Meant Life: The Theatre of Serbian Soldiers and Prisoners of War | |
| Gordana Ili? Markovi? |
| From "Miori?a" to "Oedipus": Romanian National Opera in the Nineteenth and Early Twentieth Centuries | |
| Emilios Riadis "Galateia": An Unfinished Work | |
| Alexandros Charkiolakis |
| The Dynamics of German Translations of Texts by Contemporary Authors from Titos Yugoslavia | |
| Rights, Resources, Affect, and Music: Comparing the Programmes of Intangible Cultural Heritage in Croatia, Southeast Europe, China, and Elsewhere | |